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Wonky (also known as street bass, aquacrunk, lazer hip hop or purple sound) is an often-debated and unique/experimental genre of electronic music that uses mid-range unstable synths as well as complex and unusual time signatures. It appeared before summer 2008, among a range of musical genres, including hip hop (particularly glitch hop), grime, chiptune, dubstep, 90's G-funk, crunk, electro and broken beat.〔Clark, Martin. "(The Month In: Grime / Dubstep )", ''Pitchfork Media'', April 30, 2008.〕 The "wet and unstable" sound of wonky is achieved by producing mid-range basses using pitch bending, LFOs on lowpassing and highpassing, phasing, and delaying. The resonance parameters of the synth's LFOs are often high. These effects give the synth and bass unique "wonky" sounds, hence the name of the genre. ==Overview== Wonky is the name given to a fusion of dubstep and hip hop (particularly glitch hop) which first developed in the mid-to-late 2000s. Along with those main elements, it also has secondary influences such as IDM and its namesake, wonky techno. It is defined by its off-kilter and unstable, wonky (hence the name) mid-range, with unquantised and offbeat hip-hop rhythms at dubstep tempos, or vice versa. But in the more glitch hop like variety, it is most like dubstep with a hip hop tempo and beat. Wonky first developed when hip hop producers, influenced by J Dilla and Madlib (such as Flying Lotus, Starkey and Dabrye), began experimenting with dubstep & IDM elements. Around the same time, dubstep producers (notably those on Hyperdub and those associated with the purple sound) began adding said hip hop influences to their own productions. These two loose strands of early wonky would fuse together, resulting in the development of a fully-fledged genre during 2009. The Scandinavian genre of skweee is also quite similar in sound, but has separate roots. In 2002, American producer Rodney Jerkins preceded wonky with the R&B song "What About Us", written for American singer-songwriter Brandy. In 1997, Brooklyn-based MC Sensational included the first wonky beat. In February 2004, American artist Jneiro Jarel released "Get Yuh Own" and "N.A.S.A" on Kindred Spirits/Label Who. Jneiro Jarel could be considered one of the pioneers of the wonky rhythm aesthetic. A few years later, wonky developed in various places around the world simultaneously. Starkey is one of the main proponents of the wonky sound. The American wonky sound has also been dubbed "street bass".〔http://pitchfork.com/features/grime-dubstep/6840-grime-dubstep/ Grime/Dubstep : "U.S. Division"〕 Glasgow in Scotland could be considered one of the birthplaces of the sound - with the Glasgow wonky sound also being dubbed "aquacrunk", a term originating from Glaswegian wonky musician Rustie. Glasgow club night Numbers, local record shop Rub-a-dub, labels like Wireblock, Stuff and Dress 2 Sweat are associated with the aquacrunk/wonky sound in Glasgow.〔http://www.guardian.co.uk/music/musicblog/2008/oct/20/aquacrunk-scene-and-heard : "The Numbers night at Glasgow's Sub Club is to aquacrunk what the Paradise Garage was to house and what Niche was to 4x4 bassline."〕〔http://www.guardian.co.uk/music/musicblog/2008/oct/20/aquacrunk-scene-and-heard : "...aquacrunk is being spread through one record shop. Rub-a-dub records in Glasgow is at the centre of the city's electronic scene with half a dozen labels like Wireblock, Stuff and Dress 2 Sweat..."〕 The wonky/aquacrunk scene in Glasgow is also centred on the LuckyMe collective; Hudson Mohawke, Rustie and Ikonika come from this scene. Since the release of Jagz The Smack, hype has built behind Rustie and Aquacrunk (the name came from Rustie’s passion for crunk and the aquatic electronics of Drexciya). The term "wonky" has, since mid to late 2012, confusingly been associated with modern Brostep music. As this nu-brostep has none of the rhythmic "wonk" that defines the genre, this use of the word is being stamped out due to its confusing misappropriation. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Wonky (music)」の詳細全文を読む スポンサード リンク
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